{"id":546,"date":"2014-06-04T06:27:48","date_gmt":"2014-06-04T12:27:48","guid":{"rendered":"http:\/\/martycoleman.com\/blog\/?page_id=546"},"modified":"2021-11-30T15:03:30","modified_gmt":"2021-11-30T21:03:30","slug":"exhibition-record","status":"publish","type":"page","link":"https:\/\/martycoleman.com\/?page_id=546","title":{"rendered":"Exhibition Record"},"content":{"rendered":"\n

2005 – 2013<\/span><\/h2>\n\n\n\n

OH, TULSA! Biennial<\/strong><\/span><\/h3>\n\n\n\n

Living Arts of Tulsa, Tulsa, OK.,\u00a0Aug. 2 \u2013 Aug 23, 2013<\/span><\/p>\n\n\n\n

\"\"<\/a>
‘A Poem About Her Limits’, photo-collage, 2013<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

Velveteen Women<\/span><\/h3>\n\n\n\n

Solo Exhibition,<\/span>\u00a0Living Arts of Tulsa, Tulsa, OK., Jan. 6 \u2013 Jan. 26, \u00a02012<\/span><\/p>\n\n\n\n

\"\"<\/a>
The Blessing, photo-collage, 2012<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

Portraits<\/span><\/h3>\n\n\n\n

Solo Exhibition,\u00a0Chrysalis Gallery, Tulsa, OK.,\u00a0Oct. 1 \u2013 Nov. 3, 2010<\/span><\/p>\n\n\n\n

\"Scar<\/a>
Scar \/ Cog – Young Velveteen Woman #30<\/figcaption><\/figure>\n\n\n\n
\"Chrysalis<\/a>
Chrysalis Gallery<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

The Singing Inside <\/h3>\n\n\n\n

Breast Cancer Charity Exhibition & Auction<\/span>, Woodland Hills Mall, Tulsa, OK.,<\/span> Sept. 18 – Oct. 23, 2009\u00a0<\/span><\/p>\n\n\n\n

\"'The<\/a>
‘The Singing Inside’, bodycast and lamp<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

IN Public \/ IN Private<\/span><\/h3>\n\n\n\n

Solo Exhibition,<\/span> Heller Gallery, Tulsa, OK.,\u00a0Aug. 28 \u2013 Sept. 28, 2009\u00a0<\/span><\/p>\n\n\n\n

\"IN<\/a>
‘In Theater’, photo-collage<\/figcaption><\/figure>\n\n\n\n
\"'IN<\/a>
‘IN Public \/ IN Private’, Heller Theatre, 2009<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

Nude V<\/span><\/h3>\n\n\n\n

Group Show,<\/span> IDL Galler<\/span>y, Tulsa, OK, March, 2009<\/span><\/p>\n\n\n\n

\"\"<\/a>
Being Seen<\/figcaption><\/figure>\n\n\n\n
\"'Nude<\/a>
‘Nude V’ Opening, 2009<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

24 Works on Paper<\/span><\/span><\/h3>\n\n\n\n

Group Show,<\/span> IAO Gallery – traveling exhibition, Oklahoma City, OK.,<\/span> July 2009 – August 2010<\/span><\/p>\n\n\n\n

\"\"<\/a>
Truths and Things I made Up About This Woman #24<\/figcaption><\/figure>\n\n\n\n
\"24<\/a>
Opening of ’24 works on Paper’, 2009<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

The Napkin Drawings<\/span><\/span><\/h3>\n\n\n\n

Solo Exhibition,<\/span> Double Shot Gallery,<\/span> Tulsa, OK.,\u00a0April – May, 2009<\/span><\/p>\n\n\n\n

\"\"<\/a>
‘Creativity’, ink on napkin, 2009<\/figcaption><\/figure>\n\n\n\n
\"Chelsea<\/a>
Chelsea Playing at ‘Napkin Drawings’ Opening, 2009<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

Snap To It<\/span><\/h3>\n\n\n\n

Group Show,<\/span><\/span>\u00a0Exhibition One Gallery,<\/span>\u00a0Stillwater,\u00a0OK.,\u00a0August 26 – September 13, 2008\u00a0<\/span><\/p>\n\n\n\n

\"\"<\/a>
Truths and Things I Made Up About This Woman #14, photo-collage, 2008<\/figcaption><\/figure>\n\n\n\n
\"'Snap<\/a>
‘Snap To It!’ Opening, Stillwater, OK<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

PhotoSlam<\/span><\/h3>\n\n\n\n

Noble Theatre,<\/span> Oklahoma City Museum of Art, Oklahoma City, OK.,\u00a0April 2, 2008<\/span><\/p>\n\n\n\n

\"Stranger<\/a>
Image from the presentation, Stranger Juxtaposition #8<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

Gross Anatomy<\/span><\/h3>\n\n\n\n

Group Show,\u00a0Apertures Gallery,<\/span> Tulsa, OK.,<\/span> October, 2005<\/span><\/p>\n\n\n\n

\"\"<\/a>
Gender Blender, photography, 2005<\/figcaption><\/figure>\n\n\n\n
\"'Gross<\/a>
Gross Anatomy opening, Halloween, 2005<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

<\/p>\n\n\n\n

1981-1994<\/span><\/h2>\n\n\n\n

One and Two Person Shows<\/span><\/strong><\/h2>\n\n\n\n
\n\n\n\n

The Image Hidden and Transparent<\/span><\/h3>\n\n\n\n

Eloise Pickard Smith Gallery,<\/span> University of California Santa Cruz,<\/span> Santa Cruz, California 1991<\/span><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

The Image Series<\/span> <\/span><\/h3>\n\n\n\n

Allied Arts Gallery,<\/span> Las Vegas, Nevada, 1988<\/span><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

Marty & Marcia \/ Prints & Drawings <\/span><\/h3>\n\n\n\n

Eulipia Gallery,<\/span> San Jose, California, 1985<\/span><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

Drawings of Lawn Order \/ Photographs of Restraint <\/span><\/h3>\n\n\n\n

Master of Fine Art Exhibition,<\/span> San Jose State University,<\/span>
San Jose, California 1984<\/span><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

Group Shows<\/span><\/strong><\/h2>\n\n\n\n

‘An Echo of Surrealism’<\/strong>,<\/span> D.P. Fong and Spratt Gallery,<\/span> San Jose, California, 1993<\/span><\/p>\n\n\n\n

‘Fellowship Award Exhibition’<\/strong>,<\/span> Triton Museum,<\/span> Santa Clara, California, 1991<\/span><\/p>\n\n\n\n

‘Cabrillo College Faculty Exhibition’<\/strong>,<\/span> Cabrillo Gallery,<\/span> Aptos, California 1987, 1990<\/span><\/p>\n\n\n\n

‘Small Works’,<\/strong><\/span> D.P. Fong Gallery,<\/span> San Jose, California, 1990<\/span><\/p>\n\n\n\n

‘Artists Toys’<\/strong>,<\/span> Young Gallery,<\/span> Saratoga, California, 1989-90<\/span><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

‘Documents of Censorship’<\/strong>,<\/span> A.R.C. Gallery,<\/span> Chicago, Illinois, 1989-90<\/span><\/p>\n\n\n\n

‘Emerging Artists’,<\/strong><\/span> San Jose Museum of Art,<\/span> San Jose, California, 1988<\/span><\/p>\n\n\n\n

‘American Color – Color Photography in America’<\/strong>,<\/span> New Mexico State University Art Gallery,<\/span> Traveled to Chicago, Buffalo, St. Louis, 1988<\/span><\/p>\n\n\n\n

‘San Jose Portraits’<\/strong>,<\/span> Works Gallery,<\/span> San Jose, California, 1986<\/span><\/p>\n\n\n\n\n\n

‘1st San Jose Biennial – Independents’ Exhibition’<\/strong>,<\/span> Eulipia Gallery,<\/span> San Jose, California, 1986<\/span><\/p>\n\n\n\n

‘A Suite of Prints by 17 Artists’<\/strong>,<\/span> Cranbrook Academy of Art Museum,<\/span> Bloomfield Hills, Michigan, 1981<\/span><\/p>\n\n\n\n

Juried Competitions<\/span><\/strong><\/p>\n\n\n\n

‘PhotoMetro Magazine 8th Annual Contest’,<\/strong><\/span> Vision Gallery,<\/span> San Francisco, California, 1990<\/span><\/p>\n\n\n\n

‘Annual Drawing & Small Sculpture Show’,<\/strong><\/span> Ball State University,<\/span> Muncie, Indiana, 1990<\/span><\/p>\n\n\n\n

‘Exemplary Contempor’y’ (first prize)<\/strong>,<\/span> Smith Gallery,<\/span> University of California Santa Cruz,<\/span> Santa Cruz, California, 1990<\/span><\/p>\n\n\n\n

’52nd Annual National Exhibition of American Paintings’<\/strong>,<\/span> The Society of the Four Arts,<\/span> Palm Beach, Florida, 1990<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

2005 – 2013 OH, TULSA! Biennial Living Arts of Tulsa, Tulsa, OK.,\u00a0Aug. 2 \u2013 Aug 23, 2013 Velveteen Women Solo Exhibition,\u00a0Living Arts of Tulsa, Tulsa, OK., Jan. 6 \u2013 Jan. 26, \u00a02012 Portraits Solo Exhibition,\u00a0Chrysalis Gallery, Tulsa, OK.,\u00a0Oct. 1 \u2013 Nov. 3, 2010 The Singing Inside Breast Cancer Charity Exhibition & Auction, Woodland Hills Mall, […]<\/p>\n","protected":false},"author":1,"featured_media":552,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-546","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4Zlwt-8O","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/pages\/546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martycoleman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=546"}],"version-history":[{"count":4,"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/pages\/546\/revisions"}],"predecessor-version":[{"id":3630,"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/pages\/546\/revisions\/3630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/martycoleman.com\/index.php?rest_route=\/wp\/v2\/media\/552"}],"wp:attachment":[{"href":"https:\/\/martycoleman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}