Often I will just play with an image just to keep in practice regarding my Photoshop skills. I spent about 2 hours on this one, just trying different things, not having a particular agenda since it wasn’t commissioned. I like having some time to do that and it is essential for any artist to spend time just ‘goofing’ off so to speak. Without it your work can become so stale and uninspiring that you cease to do it any more.
I love doing portraits with one eye closed. There is something so disconcerting about
it at first. But it then also allows you to think about two different aspects of the
person at the same time, and how they coexist. Plus it just looks really cool.
Another in my week long series of detailed portraits from the last few years.
This one is of a dental hygienist where I get my teeth worked on. She is much prettier
than this photo shows since I manipulated it extensively to bring out all the details of
her skin texture.
Day after day I saw a new addition being built about two miles away from our house.
The houses looked interesting, as much as a suburban tract house can. Finally a sign
appeared showing an open house so I went to check it out.
The woman showing the house was tall and willowy with a decided stylish side to her.
She showed me around and we got in a conversation about how she ended up selling real
estate and her background as a model. We went out onto the little front porch and as
we did so the light illuminated her face in a wonderful way. That clinched the deal
for me and I asked her if she would be willing to let me take some photos of her.
She agreed and that was that.
In the end, after many renditions and much more complicated collage efforts I kept
coming back to the beautiful detail of her skin in that light. The color was
fantastic but so was the texture all by itself so I landed on the monochrome/color
diptych as a way of showing off both those elements.
I was at a conference in OKC that was rather uninteresting for part of it. The light was really quite good for being indoors and everyone was so still that I could resist setting my camera on my lap and pointing it in different directions. I didn’t look at the camera, just took photos randomly, sometimes zooming in, sometimes not. It wasn’t until I looked at the photos later that day that I saw what I had captured. This was one of the best of the lot.
This woman was a customer at my hair salon. I had just got my digital camera a few weeks before and was anxious to try some ideas. She was actually getting her nails done, not her hair. I took some photos of her and the nail lady doing her work then asked her if I could take some close ups of her eyes. We walked outside in the shade (but with a very very bright parking lot right behind me as I faced her. She had the most gorgeous green eyes. I took photos looking straight into each eye so I could just see the side of her head at the same time. I combined the one in front of the right eye with the one in front of the left eye to get this look. I then layered the words, copied the collage onto a new layer and turned it grayscale, then cut out all the grayscale image that did not act as a background for the words. I then spent a great deal of time manipulating her face and eyes to get the color and depth I was looking for.
