Portrait of RM with Heat
The brilliance of the sun on her and the chair and the piercing nature of her look were so intense that not only was it hard for her to open her eyes, it was hard for me to not be blinded while taking the photo.
The brilliance of the sun on her and the chair and the piercing nature of her look were so intense that not only was it hard for her to open her eyes, it was hard for me to not be blinded while taking the photo.
The Model CS. I scouted out this area before she was done working so I knew I wanted to capture someone’s face with the beautiful light in the tall windows behind me. She obliged.
She was the saleswoman at the Vintage Clothing Store who was also a photographer and an artist and knew about the cool show at the Center for Creative Photography and she was right, it was great.
I loved her great retro style with the bobbed hairdo and the ‘little house on the prairie’ dress. Her face was serious but not morose, filled with intelligence and just a bit of world weariness. She was a student and had a lot of study on her plate.
I think my dentist needs to use this in an ad campaign, don’t you?
Definitely one of my freakiest collages. The hair pulled back so tight is what first
drew me to the model. I simply created a different type of ‘sensual’ portrait here,
with the senses all colliding out of synch, out of order, within her.
Day after day I saw a new addition being built about two miles away from our house.
The houses looked interesting, as much as a suburban tract house can. Finally a sign
appeared showing an open house so I went to check it out.
The woman showing the house was tall and willowy with a decided stylish side to her.
She showed me around and we got in a conversation about how she ended up selling real
estate and her background as a model. We went out onto the little front porch and as
we did so the light illuminated her face in a wonderful way. That clinched the deal
for me and I asked her if she would be willing to let me take some photos of her.
She agreed and that was that.
In the end, after many renditions and much more complicated collage efforts I kept
coming back to the beautiful detail of her skin in that light. The color was
fantastic but so was the texture all by itself so I landed on the monochrome/color
diptych as a way of showing off both those elements.
I went into a jewelry store in Tulsa looking for something specific for my wife. I didn’t find it but had a great salesperson help me. She was informative and thoughtful. The whole front of the store was facing south with big windows and it was winter time so the sun was streaming in. It bounced off the floor and glass cases and landed on her in a wonderful way. I asked her if I could take some photos of her and she obliged me.
I did a collage and showed it to her a few days later. She was upset about how it looked, thinking I had made her look rather ugly. I didn’t think it did, but I didn’t post it out of respect for her discomfort. I did this one later, working with less manipulation and distortion and I think she was happier with it.
I love this piece because of how I got the hair and the line of her face to match up. She is the same top to bottom but then a second look obviously shows something isn’t as it should be. Just a bit of a skewed perspective on the portrait.