Portrait of RM with Heat
The brilliance of the sun on her and the chair and the piercing nature of her look were so intense that not only was it hard for her to open her eyes, it was hard for me to not be blinded while taking the photo.

The brilliance of the sun on her and the chair and the piercing nature of her look were so intense that not only was it hard for her to open her eyes, it was hard for me to not be blinded while taking the photo.
The Model CS. I scouted out this area before she was done working so I knew I wanted to capture someone’s face with the beautiful light in the tall windows behind me. She obliged.
She was at the front desk, then in the gallery as I looked at the exhibition. We got into a long discussion about the images in the show and that led to a discussion about my work which led to me asking her if she wanted to create some art with me which led to her saying yes which led us outside to take some photos I will use in a collage and also some straight portraits, of which this is one.
She was the saleswoman at the Vintage Clothing Store who was also a photographer and an artist and knew about the cool show at the Center for Creative Photography and she was right, it was great.
I loved her great retro style with the bobbed hairdo and the ‘little house on the prairie’ dress. Her face was serious but not morose, filled with intelligence and just a bit of world weariness. She was a student and had a lot of study on her plate.
This week is about black and white portraits. I have a weakness for that look that has light showing off the skin, it’s texture and details. The one yesterday was about that. This one is from around 1990. It is a film shot so the skin details aren’t there the way I can capture them now, but you can still see my interest in getting the feeling of light and heat on the skin.
Plus, what’s not to like about the late 80s early 90s look of hair and clothing, right?
This week will be a number of photos from an Equestrian competition I photographed in Inola, OK.
This is a pretty straight portrait. I waited for her in the shade of the arena knowing that the very bright sunlight behind me would make for a great glow on her face and in her eyes.
This week you get to see sketchbook drawings again, woo hoo! These are colored marker
drawings I have done over the years. I drew, then colored, the people.
Most will have symbols and images familiar to those who have seen my work over the
years. I would love to know your thoughts on those symbols and the drawings in general.
Last of the week long series on portraits.
I love doing portraits with one eye closed. There is something so disconcerting about
it at first. But it then also allows you to think about two different aspects of the
person at the same time, and how they coexist. Plus it just looks really cool.
Another in my week of portraits. This is a dancer/model from the Tulsa Ballet who posed
for our photo group in the spring of 2008. I don’t know her background, but I see a
real Russian look to her with her eyes and bone structure in particular.