She sold me the paper coasters in Tucson and had a trucker hat on and I asked if I could take her photo but without it on and she said she was vain but she would let me and I am glad she took the hat off because her eyes were cool.
She was at the front desk, then in the gallery as I looked at the exhibition. We got into a long discussion about the images in the show and that led to a discussion about my work which led to me asking her if she wanted to create some art with me which led to her saying yes which led us outside to take some photos I will use in a collage and also some straight portraits, of which this is one.
Two days later the cheerleader was transformed into a race car driver.
I met her by accident elsewhere at the fair and stopped her to tell I had posted the photo of her as a cheerleader and the immediate response I got from a friend of hers who she went to high school with. She was very happy to hear it, saying it completely made her day.
We got into a conversation about how many costumes she has (about 150) and the amount of work she does traveling between Tulsa and Los Angeles.
She mentioned she needs to have photos taken of her in all her costumes to update her website and I offered my services to do the photo shoot but it never came about.
He made me wait until he got his hat on before I could take his photo. The badge says ‘Single Action Shooting Society’. He is number 66566. Notice his license plate. He likes his six shooters I guess!
2nd in the week long series on night images. The idea was to capture both the cute, sweet smile all the other photographers were trying to get from her and then have her turn her expression into a scream, similar to the graffitied image. I wanted to try to capture the feeling of the surface pretty and the interior pain someone might feel at the same time.
We were staying the night at the Inn at Price Tower, Frank Lloyd Wright’s one and only freestanding ‘skyscraper’ in the world (it’s 16 stories high so it isn’t crazy tall by any means). It is about 50 miles north of Tulsa in a town called ‘Bartlesville’ which was the founding home of Phillips Petroleum. It has an art center on the first 2 floors along with a gift shop. We always find unique and interesting things in the shop when we go there and this time we found an engaging and happy store clerk along with the usual stuff. She said one of the statements in the piece to us and I kept hearing the rhythm of it in my head after, but with different content each time and that was the basis for the other ‘truths’ in the piece.
I had to drive my father’s belongings back to California from Oklahoma in the fall of 2007. I kept my camera next to me in the rented moving truck and took a lot of photos out the window as I went. The Texas panhandle is one of my favorite areas precisely because there is so little to see there. What that actually means is that the interesting things you do see are spread out, they are alone, by themselves, easy to spot and appreciate.
Sometimes in dense environments, just as in a dense piece of art, it is hard to discern what is there. That is ok in a museum where you have time to look, but on a road trip it is nice to see something coming 2 miles away!
I stopped at a convenience store outside Amarillo and the clerk’s eyes were blindingly bright and blue with the west Texas sun shining in the window. I asked her if I could take some photos of her eyes and, though she was chided by her fellow clerk, she said yes and was a wonderful, albeit fleeting, model.
In the sunset district of San Francisco, October, 2007.
The gallery employee (I am imaging this but she probably isn’t, more likely a student or maybe a….no, I think I am right, a gallery something or other is likely) in the restaurant that I waited outside of while my wife went to the little girls room with the shoehorn (which wasn’t really in the restaurant, but a few doors down in the shoe store on a bench just sitting there by itself with a great reflection and I said it wrong, she didn’t go in the girl’s room with the shoehorn and the girls room did not have the shoehorn in it, just in case you got confused by my bad writing style) and the Avocados (which were in the market bin next to the tomatoes that were too red to put in the collage even though the photo had them in it and I liked how the red of the tomatoes brought out the red in the shoehorn, still it was too distracting) and the cleavage (which didn’t really belong to her, but to a woman on a bench in the bookstore at the magazine rack who I happened to walk by and noticed her necklace that was just a tad bit too far down her chest but it made me notice her) did it.